Queering Contemporary French Popular Cinema

Queering Contemporary French Popular Cinema

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Queering Contemporary French Popular Cinema combines close film analysis with a small-scale qualitative investigation of audience responses to examine images of queerness in contemporary French popular cinema and their reception. Through its blending of the textual and the empirical, this book provides a unique insight into the ways in which sexuality and gender are represented on the cinema screen, as well as the spectator reactions they elicit. Since the mid-1990s, depictions of lesbians, gay men, and queer forms of sexual desire and identity have shifted to the mainstream of French cinematographic representation-as evidenced by the box-office success of a series of highly commercial comic films, including Gazon maudit (Josiane Balasko, 1995), Peacute;dale douce (Gabriel Aghion, 1996), Le Placard (Francis Veacute;ber, 2000), and Chouchou (Merzak Allouache, 2003). Alongside this commercial strand, a series of small-budget alternative comedies and other genre films have also challenged heteronormative conceptualizations of sexuality and gender. Films such as Sitcom (Franccedil;ois Ozon, 1998), L'Homme est une femme comme les autres (Jean-Jacques Zilbermann, 1997), Pourquoi pas moi? (Steacute;phane Giusti, 1999), Drocirc;le de Feacute;lix (Olivier Ducastel and Jacques Martineau, 2000), and Les Chansons d'amour (Christophe Honoreacute;, 2007) portray desire as fluid and/or gender as unfixed. With their use of parody and their blending of comedy with the musical, melodrama, romance or road movie, these and other similar films have resonated with a burgeoning viewing public, tired of having to seek queerness in connotation, of appropriating marginal characters in ostensibly straight narratives, and of tragedy and trauma as the principal modes of representation and spectator address.Elsewhere, websites such as YouTube, MySpace and Facebook allow cultural consumers to react immediately to media and ... A limitation of group face-to-face methods is that they de-anonymize the participants in relation to the rest of theanbsp;...


Title:Queering Contemporary French Popular Cinema
Author: Darren Waldron
Publisher:Peter Lang - 2009
ISBN-13:

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